In Public

If you enjoy photography and haven’t looked into street photography, now might be the time to start.

Street photography tells a story

Street photography is raw

Street photography is honest

 

The Decisive Moment

Henri Cartier Bresson


”… Photography is not a documentary, but intuition, a poetic experience.  
       It’s drowning yourself,
       dissolving yourself, 
       first you must lose yourself,
       then it happens”



Henri Cartier Bresson has often been referred to as the “father of modern photojournalism”.  In my mind, there are two sides of photography, the art and the story.  These, of course, can be broken down into smaller categories such as landscape, photojournalism, fine art, fashion etc.  There are slices of life all around us, and each one of those is a story begging to be told.  All the nuances that we take for granted can be brought into focus.  A lot of the times, the photograph itself is not what I’m after, I just want to capture a minute part of reality.  With street photography, you’ll need a great eye, good anticipation, and an enormous amount of good fortune.  Once you miss the moment, it’s gone forever.  Take the above image for example, one second too late and the person has hit the water.  One second too early, and he hasn’t taken the leap.  Life is a game of seconds, the successful photographer is the one who is ready, all the time.

BUT we have a problem, a problem that previous generations of photographers may not have faced.

The recent (past 5-10yrs) emphasis on paedophiles and terrorists in public places has put somewhat of a dampener on street photography.  To an extent, it is completely understandable but some people are blowing it way out of proportion.  For example, if you took out your iPhone and started taking photos with it, everything is all good.  However, the minute you bring out an SLR, people will start shooting you funny looks.  If you’ve been there, you know what I’m talking about.

SO … by law what am I allowed to do?

You as a photographer (I’m using this term loosely here), can photograph almost anything and anyone you want as long as it is in public. 
- Buildings, parks
-People
- If on public property, can even photograph private property
- If on private property, can photograph until told otherwise (unless there’s a sign)

Of course there are exceptions, use some common sense here guys
- Military installations/other subjects classed as national security (excluding bridges)
- Dressing rooms
- Restrooms
- ATM machine

In short, and probably the most important, if you are in a public place you can photograph adults, children, law enforcement, accidents, criminal activities, airports, trains etc

Every now and then, people will question you as to what the #%*% you are doing.  I’m going to tell you what to do in these situations.  SMILE (genuinely) and be polite, nobody likes an asshole with a big camera.  If someone asks you to stop because of security reasons, unless it’s in the situations listed above, this is not a valid reason (again, please use common sense here).  Depending on location, you do not need to give them your memory card or delete the photos unless they have a court order/warrant.  I will add that sometimes for the sake of things it is much easier just to delete the photos, it really depends on the situation and how much you want this photo.

 

 

 

Take this image for example, if you took an image as powerful as this … HOLD ON TO IT.  This is an image by Pulitzer Prize winner, Kevin Carter, hit the link to read about the amazing story of his life in Time magazine.  By far one of the most powerful images I’ve ever seen. 




Even though you have these rights as a photographer, not everyone will agree to what you are doing.  The photographer needs to  be ballsy, or quick.  And if you’re doing this while travelling overseas, learn the local customs, you definitely don’t want to be offending anybody in an alien environment. 

“The catch with street photography is that there are many opportunities for good pictures, but not so many opportunities for great photographs … which only happens every once in a while. Street photography is like gambling. You get lucky or you get nothing”                       ~Markus Hartel

Before I go, here’s an extremely handy page to keep in your camera bag when you decide to brave the streets with your camera. http://www.artslaw.com.au/legalinformation/StreetPhotographersRights.asp

Any further questions, you know how to contact me.

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The Workhorse

First of all, I’d like to wish everybody a happy new year and I hope that you all had an awesome holiday break.  Now that most of you are back at work, I’m here once again to give you guys something to think about.

Perhaps a new lens to work towards?

The 70-200mm lens has been a professional standard for as long as I know.  Why that particular focal length?  Who knows.  But what I do know, is that every brand has a professional grade telephoto zoom in the 70-200 range.  There must be a reason right? 

Canon has:

EF 70-200 f4L
EF 70-200 f4L IS

EF 70-200 f2.8L

EF 70-200 f2.8L IS

EF 70-200 f2.8L IS II (Just announced)

Nikon has:

Nikkor 70-200 f2.8 VR
Nikkor 70-200 f2.8 VRII

Olympus has:
Olympus 35-100 f2 (becomes a 70-200 equivalent due to 2x crop sensor)

And so on, you get the idea.  For some reason this tends to be the focal length that all manufacturers focus on (no pun intended).  As far as I’m concerned, it’s a winning formula.  If you look in any professional’s camera bag, you’ll find a 70-200mm lens of some sort.  It is such a versatile lens that it is known as the professional workhorse. 

You can get anything from …

 

Sports photography, 200mm will get you the reach, f2.8 will get you the fast shutter speed you need to freeze fast moving objects.  On top of that, superior optical quality will make sure you get a nice and sharp photo in any condition.








To … 

Wildlife photography, reasonable minimum focussing distances are good enough to magnify even small subjects like butterflies.









And one more …

 



Yep, even sunsets.  Not the most common use for a 70-200, but every now and then you can get a great image. 











The point is, a 70-200 is so versatile that if you happen to have it in your camera bag on a day out, you’ll find a use for it.  Portrait, wedding, event, fashion, editorial, sports, wildlife, landscape … you name it, this lens will do it. 

If you don’t already have one, get one.  If you already have one, think about upgrading?

In perfect timing as always, canon have just announced the new EF 70-200mm f2.8L IS USM II. 
Main improvements:

- Improved stabilizer, now 4 stops of stabilization
- Reduced minimum focussing distance
- Revamped optics, plus the insertion of a fluorite element for sharper images
- Wider focussing ring and flushed in buttons for IS and AF/MF switch for better ergonomics. 

But that’s just what they tell us, if this new version does prove to be a significant improvement optically, I may have to think about upgrading ;p

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