Decided
In the last post I talked briefly about the Canon 24L, 85L & 100L lenses. I also mentioned that I didn’t end up choosing any of those for my next purchase.
Here’s the reason
What you see in that video is the new Canon TS-E 24mm f3.5L II. That won’t mean a whole lot to most of you, so here’s a couple of points.
The good:
- Replaces the Canon TS-E 24mm f3.5L (notice the II at the end of the other name)
- Minimal chromatic aberration
- Close to no visible distortion
- Awesome build quality
The bad:
- 82mm filter diameter, means I now have to get ripped off by Hoya on filters
- Manual focus, but then again that’s with all tilt-shift lenses.
- EXPENSIVE
As far as sharpness goes, this lens is easily sharper than the 16-35L, 24L, and 17-40L, this site here shows the comparisons between the lenses. Here’s the thing, it’s not a little bit sharper, its noticeably sharper than the other lenses. The capabilities of this lens stretches beyond anything else on the market at the moment. According the DP review, Nikon’s PC-E 24mm f3.5D comes close but not quite.
So what can one do with a lens like this?
- Architecture photography: Buildings that are straight in real life will look straight in the photos.
Imagine if the buildings on the left didn’t lean towards the centre
of the image.
- Landscape photography: This lens gives you the ability to tilt the plane of focus you can have as much or as little of the field in focus.
- Product photography: same principles as above
- Portraits/weddings: A whole lot more creative options open up with tilt shift
- The “toy village” effect
Click here for an example of this lens in action in architecture photography.
And here for landscape, here for portraits (notice the background)
Here for the toy village effect
And of course, the image that put the nail on the coffin (could not have been done any other way)
As soon as I get my hands on this lens, I will definitely be trying out all of the above. The main reason for deciding on this lens though is that it opens up so many windows of creative opportunities. There are certain things that you can only do with a tilt-shift lens.
There is probably a handful of people in Australia that owns this lens, many will have the original version, but the MkII is something else. And plus, I figured if I was going to buy something, I’d go all out.
In conclusion, the TS-E 24mm f3.5L II with my 5D MkII is a killer combination. With this lens in my kit, there really isn’t a whole lot that I can’t do.
I leave you with a collection of tilt-shift images by Tim Grimshaw.
Here’s what happens when a tilt-shift lens and stop animation decides to hook up and have a kid (don’t worry, it’s work safe and you MUST see it)